Print syllabusCompositorial techniques before 1600 (module I)
General data
| Course ID: | 3106-1TEKO-KON |
| Erasmus code / ISCED: |
03.2
|
| Course title: | Compositorial techniques before 1600 (module I) |
| Name in Polish: | Techniki kompozytorskie przed rokiem 1600 (moduł I) |
| Organizational unit: | Institute of Musicology |
| Course groups: |
(in Polish) II rok I st. Muzykologia (in Polish) Przedmioty modułowe dla II r. I st. (moduł I) |
| ECTS credit allocation (and other scores): |
1.50
|
| Language: | Polish |
| Prerequisites (description): | RENAISSANCE COMPOSITION: FROM A TECHNIQUE TO A SYMBOL The aim of the course is to familiarize students with the world's musicological literature on Renaissance compositional techniques. On this basis, various types of using them will be discussed, as well as possible ways to give music a symbolic meaning. |
| Mode: | Classroom |
| Short description: |
1. Introduction 2. Chant-based cantus firmus 3. Song-based cantus firmus. 4. Hexachord-based cantus firmus. 5. Multiple cantus firmus 6. Parody technique 7. Canon. |
| Learning outcomes: |
Knowledge of selected issues in the field of Renaissance composition techniques in terms of the most eminent European and American musicologists. |
| Assessment methods and assessment criteria: |
Students are required to be present and actively participate in classes. They should report on one of the scientific articles proposed by the lecturer and provide a written version of its discussion. Seminar ends with a test. |
Classes in period "Winter semester 2023/24" (past)
| Time span: | 2023-10-01 - 2024-01-28 |
 
MO TU W TH KON
FR |
| Type of class: |
Seminar, 15 hours, 18 places
|
|
| Coordinators: | Agnieszka Leszczyńska | |
| Group instructors: | Agnieszka Leszczyńska | |
| Students list: | (inaccessible to you) | |
| Examination: | Grading | |
| Type of course: | elective courses |
|
| Mode: | Classroom |
|
| Short description: |
RENAISSANCE COMPOSITION: FROM A TECHNIQUE TO A SYMBOL The aim of the course is to familiarize students with the world's musicological literature on Renaissance compositional techniques. On this basis, various types of using them will be discussed, as well as possible ways to give music a symbolic meaning |
|
| Full description: |
1. Introduction 2. Chant-based cantus firmus 3. Song-based cantus firmus. 4. Hexachord-based cantus firmus. 5. Multiple cantus firmus 6. Parody technique 7. Canon. |
|
| Bibliography: |
- B. J. Blackburn, The Virgin in the Sun: Music and Image for a Prayer Attributed to Sixtus IV, “Journal of the Royal Musical Association” 1999 nr 2 - M. J. Bloxam, Text and Context: Obrecht’s Missa de Sancto Donatiano in Its Social and Ritual Landscape, „Journal of the Alamire Foundation” 2011 nr 1 - W. Elders, Symbolic Scores. Studies in the Music of Renaissance, Leiden 1994 - A. Fiumara, "Escobedo's Missa Philippus Rex Hispanie: A Spanish Descendent of Josquin's - J. Haar, A Wedding Mass by Lasso, “The Journal of Musicology” 1999 nr 1 - M. Long, Symbol and Ritual in Josquin's Missa Di Dadi, „Journal of the American Musicological Society” 1989 nr 1 - K. Schiltz, Music and Riddle Culture in the Renaissance, Cambridge 2015 - M. Steib, A Composer Looks at His Model: Polyphonic Borrowing in Masses from the Late Fifteenth Century, „Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis” 1996 nr 1 |
|
Classes in period "Winter semester 2024/25" (future)
| Time span: | 2024-10-01 - 2025-01-26 |
MO TU W TH KON
FR |
| Type of class: |
Seminar, 15 hours, 18 places
|
|
| Coordinators: | Agnieszka Leszczyńska | |
| Group instructors: | Agnieszka Leszczyńska | |
| Students list: | (inaccessible to you) | |
| Examination: | Grading | |
| Type of course: | elective courses |
|
| Mode: | Classroom |
|
| Short description: |
RENAISSANCE COMPOSITION: FROM A TECHNIQUE TO A SYMBOL The aim of the course is to familiarize students with the world's musicological literature on Renaissance compositional techniques. On this basis, various types of using them will be discussed, as well as possible ways to give music a symbolic meaning |
|
| Full description: |
1. Introduction 2. Chant-based cantus firmus 3. Song-based cantus firmus. 4. Hexachord-based cantus firmus. 5. Multiple cantus firmus 6. Parody technique 7. Canon. |
|
| Bibliography: |
- B. J. Blackburn, The Virgin in the Sun: Music and Image for a Prayer Attributed to Sixtus IV, “Journal of the Royal Musical Association” 1999 nr 2 - M. J. Bloxam, Text and Context: Obrecht’s Missa de Sancto Donatiano in Its Social and Ritual Landscape, „Journal of the Alamire Foundation” 2011 nr 1 - W. Elders, Symbolic Scores. Studies in the Music of Renaissance, Leiden 1994 - A. Fiumara, "Escobedo's Missa Philippus Rex Hispanie: A Spanish Descendent of Josquin's - J. Haar, A Wedding Mass by Lasso, “The Journal of Musicology” 1999 nr 1 - M. Long, Symbol and Ritual in Josquin's Missa Di Dadi, „Journal of the American Musicological Society” 1989 nr 1 - K. Schiltz, Music and Riddle Culture in the Renaissance, Cambridge 2015 - M. Steib, A Composer Looks at His Model: Polyphonic Borrowing in Masses from the Late Fifteenth Century, „Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis” 1996 nr 1 |
|
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