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A Study of an American Poet

General data

Course ID: 3301-LA1301
Erasmus code / ISCED: 09.202 Kod klasyfikacyjny przedmiotu składa się z trzech do pięciu cyfr, przy czym trzy pierwsze oznaczają klasyfikację dziedziny wg. Listy kodów dziedzin obowiązującej w programie Socrates/Erasmus, czwarta (dotąd na ogół 0) – ewentualne uszczegółowienie informacji o dyscyplinie, piąta – stopień zaawansowania przedmiotu ustalony na podstawie roku studiów, dla którego przedmiot jest przeznaczony. / (0231) Language acquisition The ISCED (International Standard Classification of Education) code has been designed by UNESCO.
Course title: A Study of an American Poet
Name in Polish: Kurs monograficzny. Poeta/poetka z USA
Organizational unit: Institute of English Studies
Course groups: (in Polish) Fakultatywne przedmioty dla studiów dziennych z literatury amerykańskiej
ECTS credit allocation (and other scores): 4.00 Basic information on ECTS credits allocation principles:
  • the annual hourly workload of the student’s work required to achieve the expected learning outcomes for a given stage is 1500-1800h, corresponding to 60 ECTS;
  • the student’s weekly hourly workload is 45 h;
  • 1 ECTS point corresponds to 25-30 hours of student work needed to achieve the assumed learning outcomes;
  • weekly student workload necessary to achieve the assumed learning outcomes allows to obtain 1.5 ECTS;
  • work required to pass the course, which has been assigned 3 ECTS, constitutes 10% of the semester student load.
Language: English
Type of course:

elective courses

Short description:

The course will examine the poetic output of Allen Ginsberg in the context of poems, fiction, music and manifestoes of the Beat Generation.

Full description:

The course will examine the poetic output of Allen Ginsberg in the context of poems, fiction, music and manifestoes of the Beat Generation. The analysis of Ginsberg's work will require an examination of some elements of postwar American culture and politics (imperialism, or the anti-communist hysteria of senator McCarthy) as well as a brief study of Ginsberg's 19th century inspirations (Transcendentalism) and the impact of Judaism and far-eastern philosophies on his writing and activism. We will trace the history of the Beat movement from its official beginning at the Six Gallery poetry reading in San Francisco in 1955 and look into various aspects of the Beat rebellion, such as the exploration of alternative lifestyles and forms of spirituality, celebration of sexuality and friendship, ecological intuitions. We will examine the subversive potential of this rebellion as well as its limitations (e. g. misogyny). The readings will include texts by Ralph Waldo Emerson, Walt Whitman, Kenneth Rexroth, Jack Kerouac, William Burroughs, Lawrence Ferlinghetti, Gary Snyder, Bob Kaufman, Imamu Amiri Baraka and Diana DiPrima.

Bibliography:

Baraka, Amiri. "Cultural Revolution and the Literary Canon". Source: Callaloo, Vol. 14, No. 1 (Winter, 1991), pp. 150-156.

Breslin, James E. B. From Modern to Contemporary. American Poetry 1945-65. The University of Chicago Press, 1983.

Breslin, James E. B. The Psycho-Political Muse: American Poetry since the Fifties. Chicago: University of Chicago Press, 1987.

Charters, Anne. The Penguin Book of the Beats. London, New York.: Penguin Books, 1992.

Falla, Jeffrey. "Bob Kaufman and the (In)visible Double". Callaloo, Vol. 25, No. 1, Jazz Poetics: A Special Issue (Winter, 2002), pp. 183-189.

Harris, William J. and Aldon Lynn Nielsen. "Somebody Blew off Baraka". African American Review, Vol. 37, No. 2/3, Amri Baraka Issue (Summer - Autumn, 2003), pp. 183-187.

Herring, Scott. "Her Brothers Dead in Riverside or Russia: Kaddish and the Holocaust". Contemporary Literature. Vol. 42, No. 3 (Autumn, 2001), pp. 535-556.

McDowell, Linda. "Of the Road. Alternative Views of Rebellion, Resistance and The Beats". Transactions of the Institute of British Geographers, New Series, Vol. 21, No. 2 (1996), pp. 412-419.

McClure, Michael. Scratching the Beat Surface. San Francisco: North Point, 1982.

Perkins, David. A History of Modern Poetry: Modernism and After. Cambridge, MA: The Belknap P of Harvard UP, 1987.

Prothero, Stephen. "On the Holy Road: The Beat Movement as Spiritual Protest". The Harvard Theological Review, Vol. 84, No. 2 (Apr., 1991), pp. 205-222.

Stephenson, Gregory. The Daybreak Boys: Essays on the Literature of the Beat Generation. Carbondale and Edwardsville, IL: Southern Illinois UP, 1990.

Triglio, Tony. "'Strange Prophecies Anew'. Rethinking the Politics of Matter and Spirit in Ginsberg's Kaddish". American Literature, Vol. 71 nr 4 (Dec. 1998), pp. 773-795.

Watten, Barrett. "The Turn to Language and the 1960's". Source: Critical Inquiry, Vol. 29, No. 1 (Autumn, 2002), pp. 139-183.

Williams, William Carlos. "Introduction." Howl and Other Poems. By Allen Ginsberg. San Francisco: City Lights, 1956.

Learning outcomes:

Knowledge

Students will be able to:

K-W04 - describe the relation between language, literature, and historical and cultural processes in USA in 1950’s on an advanced level

K-W09 identify on an advanced level the multiplicity of cultures and their complexity, cultural codes, as well as structural and institutional background of culture, with special focus on USA in 1950’s

Students will be able to:

K_U03 - analyze linguistic, literary and cultural phenomena and draw generalizations on their basis with respect to the social, historical and economic context of USA in 1950’s

K_U7 - employ modern technology for the sake of obtaining information and using various communication channels and techniques

Social competences

Students will be ready to:

K_K04 apply the skill to critically assess communicated content to think and act independently in various social situations

K_K05 function effectively in social and cultural interactions, through various forms and media, thanks to the ability to express oneself in a cohesive and lucid manner

Education at language level B2+.

Assessment methods and assessment criteria:

- attendance

- participation in discussions

- presentations

- short written assignments

3 absences are allowed.

Classes in period "Winter semester 2023/24" (past)

Time span: 2023-10-01 - 2024-01-28
Selected timetable range:
Navigate to timetable
Type of class:
Classes, 30 hours more information
Coordinators: Julia Fiedorczuk-Glinecka
Group instructors: Julia Fiedorczuk-Glinecka
Students list: (inaccessible to you)
Examination: Course - Grading
Classes - Grading
Short description:

The course will examine the poetic output of Allen Ginsberg in the context of poems, fiction, music and manifestoes of the Beat Generation.

Full description:

The course will examine the poetic output of Allen Ginsberg in the context of poems, fiction, music and manifestoes of the Beat Generation. The analysis of Ginsberg's work will require an examination of some elements of postwar American culture and politics (imperialism, or the anti-communist hysteria of senator McCarthy) as well as a brief study of Ginsberg's 19th century inspirations (Transcendentalism) and the impact of Judaism and far-eastern philosophies on his writing and activism. We will trace the history of the Beat movement from its official beginning at the Six Gallery poetry reading in San Francisco in 1955 and look into various aspects of the Beat rebellion, such as the exploration of alternative lifestyles and forms of spirituality, celebration of sexuality and friendship, ecological intuitions. We will examine the subversive potential of this rebellion as well as its limitations (e. g. misogyny). The readings will include texts by Ralph Waldo Emerson, Walt Whitman, Kenneth Rexroth, Jack Kerouac, William Burroughs, Lawrence Ferlinghetti, Gary Snyder, Bob Kaufman, Imamu Amiri Baraka and Diana DiPrima.

Bibliography:

Baraka, Amiri, "Cultural Revolution and the Literary Canon". Callaloo, Vol. 14, No. 1 (Winter, 1991), pp. 150-156.

Ginsberg, Allen, Collected Poems 1947-1997, New York: Harper, 2007

Kerouac, Jack, On the Road, Penguin, 2007.

McDowell, Linda. "Of the Road. Alternative Views of Rebellion, Resistance and The Beats". Transactions of the Institute of British Geographers, New Series, Vol. 21, No. 2 (1996), pp. 412-419.

McClure, Michael. Scratching the Beat Surface. San Francisco: North Point, 1982.

Williams, William Carlos. "Introduction." Howl and Other Poems. By Allen Ginsberg. San Francisco: City Lights, 1956.

Word Wirus. The William Burroughs Reader, eds. James Grauerholz and Ira Silverberg, New York: Grove Press, 1998.

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