Chinese Civilization (Literature)
General data
Course ID: | 3600-7-SI4-CCHL1 |
Erasmus code / ISCED: |
08.9
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Course title: | Chinese Civilization (Literature) |
Name in Polish: | Cywilizacja chińska - literatura (Z) |
Organizational unit: | Faculty of Oriental Studies |
Course groups: | |
ECTS credit allocation (and other scores): |
2.00
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Language: | Polish |
Type of course: | obligatory courses |
Prerequisites (description): | Conversation classes, with annual changes in topics, on contemporary literature and culture in China and Taiwan. |
Mode: | Classroom |
Short description: |
The course aims to provide the students with an overview and analyze of contemporary literature and culture in PRC and Taiwan |
Full description: |
This course is designed for the students of Sinology, which are interested, how they how Chinese intellectuals and artist are searching for identity , how they experienced trauma, transformation and how they are mapping aesthetic modernity and tradition, how they are building new mythological patterns and reproducing symbolic culture and how they rewrite own history in last 50 years Main topics : 1. Amnesia and memory . 2. Culture Nationalism and cultural strategies . Cultural Politics in PRC: comparing 3 last decades. 3. Searching for Taiwanese Cultural identity in area of: 1) Media 2) Film 3) Literature |
Bibliography: |
1. Xuong Zhang , Postsocialism and Cultural Politics , Duke Univ. Press, 2008 2. Calinescu, Mate, Five Faces of Modernity: Modernism, Avant-Garde, Decadence, Kitsch, Postmodernism , Duke Uniersity Press, Durham 1987 3. Yingjin Zhang , Cinema , Space , and Polylocality and Globalising China , Univ. of Hawaii Press 2010 4. Hockx, Michel, (ed) The Literary Field in Twentieth-Century China, University of Hawaii Press, Honolulu 1999 5. Sheldon H.L, Chinese modernity and global biopolitics, iUniversity of Hawaii Press 2007 6. Zhang Xudong, Chinese Modernism in the Era of Reform: Cultural Fever, Avant-garde Fiction and the New Chinese Cinema, Duke University Press, Durkham and London 1997 7. Zhang Xudong. Postsocialism and Cultural Politics, Duke Univ. Press 2008 8. Zhongguo wenxue da cidian . [Wielki słownik literatury chińskiej.], Tianjin renmin chubanshe, Tianjin 1991 9. Barmé Geremie R., In the Red. Columbia University Press, New York 2000 10. Kasarełło L., Totemy życia. Chińska literatura poszukiwania korzeni, Dialog ,Warszawa 2000 11. Kasarełło L.. Chińska kultura symboliczna, Dialog, Warszawa 2011 12. Gang Yue, The Mouth that Begs: Hunger, Cannibalism, and the Politics of Eating in Modern China. Duke University Press, Durham – London 1999 13. Węzły duszy. Chrestomatia współczesnych opowiadań chińskich , ( Wyd.. Kasarełło L.), Wyd. Dialog , Warszawa 2005 14. Han Shaogong, Slownik Maqiao , Swiat Książki , 2009 15. Mo Yan, Kraina wódki , Wyd. W.A.B.,Warszawa 2006 16. Alai, Czerwone maki, Zysk i S-ka, Poznań 2005 17. Mo Yan , Obfite piersi, pełne biodra, Wyd. W.A.B.,Warszawa 2007 18. Mo Yan , Bum, W.A.B, 2013 19. McCormick, Barrett L. “Recent Trends in Mainland China's Media: Political Implications of Commercialization.” Issues & Studies 38, no.4/39, no.1 (December 2002/March 2003): 175-215. 20. Yuezhi Zhao, “From commercialization to conglomeration: the transformation of the Chinese press within the orbit of the party state.” Journal of Communication, 2000, vol. 50, nr. 2, 3-26. 21. Andrews, Julia F. and Gao, Minglu , ‘The Avant-Garde’s Challenge to Official Art’. In Debora S.Davis (ed.), Urban Spaces in Contemporary China: The Potential for Autonomy and Community in Post-Mao China.: Harvard University Press, Cambridge 1995, 221–78. 22. Pawłowski J, Przeszłość w ideologii KPCh, 2013 23. Gao, Minglu (1986). “Bawu meishu yundong”, Meishujia tongxun nr.5, 15–23. Gao, Minglu (ed.) (1991). 24. Zhongguo dangdai meishushi 1985–1986 ,Shanghai: Shanghai renmin chubanshe. 25. Lü Peng, Yi Dan, Zhongguo xiandai,: Hunan meishu chubanshe, Changsha 1992. |
Learning outcomes: |
has in-depth and detailed knowledge (including terminology, theory and methodology has extended knowledge of particular problems pertaining to the cultures of the China and Taiwan (within the scope of culture and literature or language or culture and religion issues) in a comparative perspective knows and understands methods of advanced analysis and interpretation of various products of culture in China and Taiwan which are relevant for selected traditions, theories and research schools within the scope of studies on literature, language, culture and religion can read, analyze and interpret advanced literary texts and other works of culture (film, press, social writing) of China and Taiwan and appropriately place them in their cultural context can compare and thoroughly analyze interrelations between selected literary texts and other works of culture (film, press, social writing) of China and Taiwan , and the issues of tradition and modernity can carry out a critical analysis and interpretation of different products of culture of China and Taiwan appropriate to a selected tradition, theory and research schools within the scope of studies on literature, language, culture and religion employing unique attitude of Oriental studies can select and translate into Polish most valuable literary works/writings of China |
Assessment methods and assessment criteria: |
Attendance essential. The final grade will be based on: classroom participation (required preparation to the lecture),and preparation and presentation of a paper (powerpoint) |
Practical placement: |
No |
Classes in period "Winter semester 2023/24" (past)
Time span: | 2023-10-01 - 2024-01-28 |
Navigate to timetable
MO TU KON
W TH FR |
Type of class: |
Seminar, 30 hours, 20 places
|
|
Coordinators: | Lidia Kasarełło | |
Group instructors: | Lidia Kasarełło | |
Students list: | (inaccessible to you) | |
Examination: |
Course -
Grading
Seminar - Grading |
|
Mode: | Classroom |
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Short description: |
Taiwanese literature in the context of Taiwan's post-colonial history, |
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Full description: |
Topics in the contextual section: 1. brief history of Taiwan, colonial times , regime of GMD , the road to democracy and full sovereignty 2. population, language, beliefs and religions 3. the issue of yuanzhumin ( Indigenous people) 5. in search of Taiwanese identity 6. Taiwanese cinematography Contemporary literature in Taiwan 1.A brief history of Taiwanese literature. 2.Writers Bai Xianyong Li Ang Huan Fan Wu Jinfa Huang Chunming Zhu Tienwen |
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Bibliography: |
Lee Wei chi , Taiwan Cultural Reconstruction , identity politics and collective Action since 2000 , “Issues and studies “,2005 Tu Weiming,Cultural Identity and the Politics ofRecognition in Contemporary Taiwan* “The China Quarterly” No. 148, Special Issue: Contemporary Taiwan (Dec., 1996 Kuo-Shu Yang,Emergence and composition of the traditional-modern bicultural self of people in contemporary Taiwanese societies ,“Asian Journal of Social Psychology” (2006), 9, Religion In Modern Taiwan Edited by Philip Clart & Charles B. Jones Douglas Kellner. Exploring Society and History: New Taiwan Cinema in the 1980s Ming-Yeh T. Rawnsley, Cultural democratisation and Taiwan cinema Tomala,:Tajwańska drama telewizyjna a tożsamość kulturowa współczesnego Tajwańczyka , praca magisterska . Wydział Orientalistyki UW, sinologia Na drugim brzegu, Antologia współczesnych opowiadań tajwańskich, pod red.naukową Lidii Kasarełło, PIW, Warszawa 2020 Michael Rudolph Return to Taiwan Aboriginal Rights Webpage This paper originally comes from: http://www.sino.uni-heidelberg.de/staff/rudolph/mult.htm |
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Notes: |
The classes have the character of a conversation course. Components of the classes: Presentation prepared by the student My supplementary comments and interpretations Questions Discussion |
Classes in period "Winter semester 2024/25" (future)
Time span: | 2024-10-01 - 2025-01-26 |
Navigate to timetable
MO TU KON
W TH FR |
Type of class: |
Seminar, 30 hours, 20 places
|
|
Coordinators: | Lidia Kasarełło | |
Group instructors: | Lidia Kasarełło | |
Students list: | (inaccessible to you) | |
Examination: |
Course -
Grading
Seminar - Grading |
Copyright by University of Warsaw.