(in Polish) Konwersatorium literaturoznawcze I/IIp - Dzieło, autor, publiczność (Średniowiecze - Renesans)

General data

Course ID:	3304-1DPXW-KL-023-OG
Erasmus code / ISCED:	09.403 Kod klasyfikacyjny przedmiotu składa się z trzech do pięciu cyfr, przy czym trzy pierwsze oznaczają klasyfikację dziedziny wg. Listy kodów dziedzin obowiązującej w programie Socrates/Erasmus, czwarta (dotąd na ogół 0) – ewentualne uszczegółowienie informacji o dyscyplinie, piąta – stopień zaawansowania przedmiotu ustalony na podstawie roku studiów, dla którego przedmiot jest przeznaczony. / (0232) Literature and linguistics The ISCED (International Standard Classification of Education) code has been designed by UNESCO.
Course title:	(unknown)
Name in Polish:	Konwersatorium literaturoznawcze I/IIp - Dzieło, autor, publiczność (Średniowiecze - Renesans)
Organizational unit:	Institute of French Studies
Course groups:	General university courses General university courses General university courses in the humanities
ECTS credit allocation (and other scores):	(not available) Basic information on ECTS credits allocation principles: the annual hourly workload of the student’s work required to achieve the expected learning outcomes for a given stage is 1500-1800h, corresponding to 60 ECTS; the student’s weekly hourly workload is 45 h; 1 ECTS point corresponds to 25-30 hours of student work needed to achieve the assumed learning outcomes; weekly student workload necessary to achieve the assumed learning outcomes allows to obtain 1.5 ECTS; work required to pass the course, which has been assigned 3 ECTS, constitutes 10% of the semester student load. view allocation of credits
Language:	Polish
Type of course:	general courses
Mode:	Remote learning
Short description:	The aim of the seminar is to prepare students for independent reading of ancient literature. A joint analysis of selected works of the French Middle Ages and the Renaissance based on the latest critical studies is to encourage an in-depth study of cultural and literary phenomena and the acquisition of the ability to formulate extensive comments on the analyzed texts. Selected works will be analyzed in three research perspectives: the nature of the work, the identity of the author and the real or presumed audience.
Full description:	The aim of the seminar is to prepare students for independent reading of ancient literature. A joint analysis of selected works of the French Middle Ages and the Renaissance based on the latest critical studies is to encourage an in-depth study of cultural and literary phenomena and the acquisition of the ability to formulate extensive comments on the analyzed texts. Selected works will be analyzed in three research perspectives: the nature of the work, the identity of the author and the real or presumed audience. Program: - Time of oral transmission and anonymous authors - Chanson de Roland - The author comes out of the shadows - Lais Marie de France (Prologue, Guigemar, Bisclavret, Lanval) - Emotional Biography of the Poet - Legates and Testaments of François Villon - Clément Marot and the problems of self-creation - Gargantua's novel by François Rabelais, i.e. the author's game with the reader - Heptameron Marguerite de Navarre - didactic work? - Louise Labé - a poet who shows the way for women - Muret as a commentator of Ronsard's poetry, or what needs to be explained to the reader - The author's modesty and the power of creation - Joachim Du Bellay's Lamentations - Les Essais of Michel de Montaigne - how to charm the reader
Bibliography:	- Jerzy Adamski, Historia literatury francuskiej, Zakład Narodowy im. Ossolińskich, Wrocław-Warszawa-Kraków, 1970, ss. 55-104. - Michał Bachtin, Twórczość F. Rabelais’ego a kultura ludowa średniowiecza i renesansu, Kraków, Wydawnictwo Literackie, 1975.- Andrzej Borowski, Renesans, WydawnictwoLiterackie, Kraków, 2002. - Pierre Chaunu, Czas reform: historia religii i cywilizacji (1250-1550), przeł. Jan Grosfeld; [przekł. popr. i zred. Tadeusz Szafrański], Instytut Wydawniczy Pax, Warszawa, 1989.- Anna Drzewicka, Starofrancuska epopeja rycerska, Warszawa, 1979. - Jean Delumeau, Cywilizacja Odrodzenia, Warszawa, 1987. - Katarzyna Dybeł, Barbara Marczuk, Jan Prokop, Historia literatury francuskiej, Warszawa, PWN, 2005.- Johan Huizinga, Jesień średniowiecza, Warszawa, 1985. - Filozofia francuskiego Odrodzenia, wybór i wstęp Andrzeja Nowickiego, PWN, Warszawa, 1973. - Józef Hen, Ja, Michał z Montaigne, Warszawa, Czytelnik, 1978 (nowe wydanie: Warszawa, Prószyński i S-ka, 1999). - Jacek Kowalski, Anna Loba, Mirosław Loba, Jan Prokop, Dzieje kultury francuskiej, Warszawa, 2005. - Kazimierz Kupisz, W kręgu myśli i sztuki Małgorzaty z Nawarry, Łódź, Wydawnictwo Uniwersytetu Łódzkiego, 1968. -Motywy samotności i wspólnoty w dawnych literaturach romańskich (Średniowiecze - Oświecenie), red. D. Szeliga, E. D. Żółkiewska, Wydawnictwa Uniwersytetu Warszawskiego, Warszawa, 2010. - Jan Miernowski, Piękne banialuki ku najlepszej prawdzie wyłożone, Czytelnik, Warszawa, 2000. - Poetyka okresu renesansu, red. J. Mańkowski, Wrocław, Zakład Narodowy im. Ossolińskich, 1982 (BN Ser. II nr 205). - Wydania tekstów
Learning outcomes:	After successfully completing the course, the student is able to: - correctly place literary events in their cultural context, - efficiently refers to the chronology of the epoch, - explain the most important concepts for the period in question, - find connections between literary phenomena, - independently analyze the literary text, - express yourself in an organized manner on topics related to the topic of classes. - independently edit, correctly in terms of content and language, a short text (essay) on a given topic in the scope of the issues discussed.
Assessment methods and assessment criteria:	- presence and active participation in classes - delivering a short lecture on a given topic - preparation of a term paper (essay in Polish) - final oral examination in the field of issues discussed in class The form and criteria for passing the course may change depending on the current epidemic threat situation. Equivalent credit conditions will be established in accordance with the guidelines in force at the University of Warsaw, in consultation with the participants of the classes.

This course is not currently offered.

Course descriptions are protected by copyright.
Copyright by University of Warsaw.