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Images of African Americans in Film during Jim Crow

General data

Course ID: 4219-RS272
Erasmus code / ISCED: 08.9 Kod klasyfikacyjny przedmiotu składa się z trzech do pięciu cyfr, przy czym trzy pierwsze oznaczają klasyfikację dziedziny wg. Listy kodów dziedzin obowiązującej w programie Socrates/Erasmus, czwarta (dotąd na ogół 0) – ewentualne uszczegółowienie informacji o dyscyplinie, piąta – stopień zaawansowania przedmiotu ustalony na podstawie roku studiów, dla którego przedmiot jest przeznaczony. / (0229) Humanities (except languages), not elsewhere classified The ISCED (International Standard Classification of Education) code has been designed by UNESCO.
Course title: Images of African Americans in Film during Jim Crow
Name in Polish: Images of African Americans in Film (Obrazy Afroamerykanów w filmie)
Organizational unit: American Studies Center
Course groups: (in Polish) Proseminaria badawcze na studiach II stopnia
All classes - weekday programme - 2nd cycle
ECTS credit allocation (and other scores): 8.00 Basic information on ECTS credits allocation principles:
  • the annual hourly workload of the student’s work required to achieve the expected learning outcomes for a given stage is 1500-1800h, corresponding to 60 ECTS;
  • the student’s weekly hourly workload is 45 h;
  • 1 ECTS point corresponds to 25-30 hours of student work needed to achieve the assumed learning outcomes;
  • weekly student workload necessary to achieve the assumed learning outcomes allows to obtain 1.5 ECTS;
  • work required to pass the course, which has been assigned 3 ECTS, constitutes 10% of the semester student load.

view allocation of credits
Language: English
Type of course:

elective courses
proseminars

Mode:

Classroom

Short description:

In this course, we will explore the contested images of African Americans in American film from the earliest movies through those produced in the Civil Rights era. We look at the ways both white and black film makers created and perpetuated demeaning stereotypes as well as how those stereotypes were challenged. We will consider the ways in which careers of African American performers and film makers represented both the limitations and the possibilities of making a living in movies. Finally, we will analyze how these films represent a chronicle of African American society and culture during the time in which Jim Crow ruled and was eventually destroyed.

Full description:

In this course, we will explore the contested images of African Americans in American film from the earliest movies through those produced in the Civil Rights era. We look at the ways both white and black film makers created and perpetuated demeaning stereotypes as well as how those stereotypes were challenged. We will consider the ways in which careers of African American performers and film makers represented both the limitations and the possibilities of making a living in movies. Finally, we will analyze how these films represent a chronicle of African American society and culture during the time in which Jim Crow ruled and was eventually destroyed.

Topics:

Week 1: The social and cinematic context of the first movies

Week 2: Early cinema and images: Uncle Tom's Cabin

Week 3: Establishing the stereotypes: The Birth of a Nation

Week 4: Oscar Micheaux and racial uplift: Within Our Gates

Week 5: Harlem Renaissance and film

Week 6: Black silents

Week 7: Race and the Production Code

Week 8: Race movies

Week 9: Making Genres Black

Week 10: Hollywood Stars: The Careers of Steppin' Fetchit and Hattie McDaniel

Week 11: Radical: the career of Paul Robeson

Week 12: World War II: The Negro Soldier

Week 13: Hollywood goes all black: Stormy Weather

Week 14: The decline of race movies

Week 15: Civil Rights and the Noble Negro: The early career of Sidney Poitier

Learning outcomes:

Knowledge:

After taking this course, students will have knowledge of

African American life in the Jim Crow era (1890-1965)

how Hollywood films portrayed African Americans

how African Americans portrayed themselves on film

Skills

After taking this course, students will have deepened their skills in

conducting original research on cinema

communicating the results of that research in good English prose

analyzing films as historical documents

Competences

After taking this course, students will

have a deeper understanding of the role of movies in perpetuating racial stereotypes

be able to identify and recognize the deployment of those stereotypes

have a better understanding of the historical background of current race relations in the contemporary US

Assessment methods and assessment criteria:

Students are expected to attend class prepared to discuss the assigned readings and the film(s) under review. As a part of your grade, you will need to submit answers to questions about the readings and films for 5 different weeks. Each week, the instructor will post questions about the next week’s readings and film in an online forum on the COME platform, your answers are due by midnight of the Monday BEFORE the readings and film are to be discussed in class. Each answer is worth 6 points for a total of 30 points (20% of your grade). Only answers posted in the online forum and on time will count, and only those who attend class on the day the answers will be discussed will earn points for their answer. Additionally, you will write an 8-12 page analyzing two films (100 points, 66%). You will also be expected to make a presentation of your research in class of 10-15 minutes during the last three weeks of class (20 points, 14%).

Classes in period "Summer semester 2023/24" (in progress)

Time span: 2024-02-19 - 2024-06-16
Selected timetable range:
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Type of class:
Seminar, 45 hours more information
Coordinators: William Glass
Group instructors: William Glass
Students list: (inaccessible to you)
Examination: Course - Grading
Seminar - Grading
Course descriptions are protected by copyright.
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